He was completely recognized as Haitian artist and writer, who published the first novel in Haitian Creole and published his first novel, and his first novel, and his chaos and riots. Was 88 years old.
The death of the Ministry of Culture announced. Caused not.
“He brightened the world with his writings, and he was the spirit of Haiti and broke the silence,” Prime Minister Alix Didier Fils-Aimé Aimé said.
Frankétienne, a prolific was a novel, poet and artist – often three of them embraced the art of the art and hugs the chaos of small, confusion.
“I'm not afraid of chaos because in 2011, because in 2011 interview The New York Times, in the Rambling Gallery, at the employee level of Port-au-princess. “What I don't like is the unemployment of chaos. The cause of Haiti is not more chaotic than it is.”
Although the English-speaking world did not recognize well, Frankétienne was a larger figure in Haiti and was celebrated in the literary and diaspora literary and diaspora circles in the world. In France, the Action and Letters Award won the order and crowded live, unexpected images.
Thousands of painting and sketches are often inside poems, which are often characterized by its speech, French and Haiti, Haiti and Haiti and Haiti and Haiti and thousands of black, Blues and rednesses, including thousands of black, Blues and Reds.
Write the novel “Dézafi” – was published in 1975 – translated as a “cock war” – was an important stage for the language of French colonops and Africans, which has a strong oral storytelling tradition. A loop associated with poems and elements of magic realism is an experimental work. The plot associated with voodoo priests, built by people they put in a state of death, will be seen as a tool for slavery and political oppression.
The Roman was also an example of a spiralism established in the 1960s, along with René Philoctete and Jean-Claude Fignole, characterized by the idea of chaos and creativity in the 1960s.
Pelin Tet in Pelin Tet, Pelin Tet, in the 1970s in the 1970s in the 1980s, known as the baby documents managed by Haiti, Jean-Claude Duvalier was a view.
Frankétienne was still during the 2010 earthquake, which is still awakening years and the country. He was a lot of baroons to attract the interests of the sequence of autocratic governments of his works and this disaster was only part of life.
In addition, he said that Haiti was Musudu.
“With Haiti's mysterious, chaotic and mysterious desk, he gave me everything with the divine intelligence of universal energy,” said Frankétienne, speaking in the usual mysterious style, in 2023, he said.
Indeed, you can take fancy flights to talk to Frankétienne.
Kaiama L. Glover, who translated his works with a African American research, revealed a discussion with him in 2009 and began to read Voodoo prayers to make a point.
“He only grows and answered what the spirits mean to write in French and Creole,” he said.
He and his studio became a magnet for all kinds of writers and artists. There he came out of his wife Marie-Andrée Etienne, a son, Rudolphe and a daughter, Stefan, right. His survivors also include a number of grandchildren.
Haiti American writer Edwidge, who brought his plays to see his plays in the conferences and parents in Haiti and Miami, said they had taken a large gap of death.
“But because I'm sure, the spiral continues to move forward in the generation of continuing, partially, and in the awakening,” he said.
“His novels and play, expanding our love, passion, humor and anger,” he said, “he said. “The love of Haiti was so deep that sometimes he had to invent words to express it.”
Frankétienne received a wider warning after the earthquake of 2010. Two months ago, he wrote a “trap” describing two people in a post-paid landscape, and these issues and adoption resonated with more audiences from Haiti. Once initially submitted, in a conference of UNESCO in Paris, the demand for written work and paintings increased and the art was shown in the exhibitions in New York.
Frankétienne, on April 12, 1936, Jean-Pierre Basilic Dantor D'Argent was born in the Ravine-sector in the village village, which is northwest Haiti's bait. Black Mother, Annette Etienne, Smoking, Coal, Candy and Moonshine eight kids, White Father, Benjamin Lyles, the mother who is born as a street seller who leaves the family.
“My mother was a peasant with illiterate and caught me when he was 16,” Frankétienne said in 2011. “An American was taken by a very rich American. American was 63.”
Exhibition skin and blue eyes often grown in the Bel-Au-Prince neighborhood of Port-Au-Prince. He was the oldest child and his mother struggled to finance his education.
The school was French and was teased because he did not speak French. In the angry, he developed an intimacy to master the language and express words and artistic expression.
He then combined two of his names as soon as he began to an artistic and literary career. In the early 1960s, he began writing poetry, published the first novel published in 1968 in 1968 in 1968 in 1968 and in 1968.
He started writing the play, because about half of the population in his Hay can read their novels because he was illiterate.
Before the Coronavirus Pandemic, including the Coronavirus pandemic, he predicted that he would die in 2020. Frankétienne, friends and scientists, thinking that there was something, followed the pandemic.
“His forecast was five years,” said Professor Glover, “and therefore we had more time.”
Steven Toity Contributing report.