Between the damaged and comparative lands, Gaza experts have milders in their hands, changing depression. The brain bags disappear, the useful boxes are transformed into photographs and paintings each of the articles.
For more than 76 years, the work of Israel has threatened Palestinia through laundry and destruction. But even when this war, Israel is more likely to kill us. 61,700 PalestinansGaza artists refuse.
And some real photographers are able to aggravate the pain to describe warfare and relevant. With a few things, they produce, to say their art indicated to the will.
Cultural damage to Gaza includes the destruction of many cultures, museums and artwork, including past records and manuscripts. Celefire, who started on January 19, did not bless, but experts believe that complete damage is not known.
The most recent book, Central central Bureau Statistics and the Ministry of Culture was destroyed. Time time is now important.
By those killed by a photographer Mahasen al -hatebwho died in October in the Israelite refugee camp to Jabaia to the north of Gaza. He was killed by his whole family.
Try to 'search' Palestinian culture
Despite the conscious group of Israel's constantly look at Israel, the experts and skilled experts fight to Palestine.
Israel “destroyed ancient land with old and older signs, subject to thousands of rites in Gaza”, so the ALBA Quicotic University of al-AQSan als Mohsin al-qattan foundation. “Many Palestian experts resolved their jobs even if they were bombed with their own houses or destruction of a socially environment.”
Palestinians leave its roots in byzantine and adjusted through Muslim traditions. Post-1967 When Israel began to be with Gaza, it's been a powerful instrument to reject the Kumal Boullata and Mansuri CoLOSUR with their work to fit Palestinian popularity.
Great education was included in Gaza books in the 1990s and the best al-'alsa Vives app. The artwork increased, attached to the Elatiqa ART group of First Parts and followed by Shababek of Art in 2009. Although Gaza's team is Israel. But the big places of Art – etiqa, Shabaabek, and Al-Aqsa – was destroyed by Israel in battle.
No Warless References
Hussein Al-Jejawa, 18 years of age, continued to move home several times as a result of war. And the poverty took him throughout the year.
The battle moved his skilled journey, and he was transformed into a default medium: bags of the stomachs as zamba. The drawing on the basis of survival country is showing muses, heat and other symbols that indicate the presence of them in Gaza.
“When I paste the powder powder, it sounds like I'm writing our profile and brush that was set in trouble and courage,” al-jewi.
The selection of the users with natural response on art of art, al-jeasant did.
“At the tent of refuge, there is empty Tra Paint bags, I decided to take the paintings to touch the pains of the war and my story to take away refugees, “said, on the main fate of Palestine, the main agency of Palestine.
Even the battle, al-jeji participants in words, discussion, including stints, including the stairs of the Qattan and Shababek. One of his paintings were shown to the bank connected to Qatan Gallery, which was run by Gaza teaching, to help children photography, theater and singing.
He says: “Even though,” he said, “my art, my art,” she says.
Described one of the scores of the paintings, al-jewi paintings “bags of the proof of the astronauts, waiting for the prosthetic, hungry powder – some empty, talked to the search. “
He added that “faces and faces of exhaustion and hunger. Eye eye asks the bread but darling, as shown in the back, like shadows, waiting for a limitless line.”
Al-jejigo sees his art as the security of Palestinia.
“This task will want to annihilate our culture. But Arters keep our memory. Any drawing I make with a document, telling the land we are living, we keep our roots.”
To change the pain
The Ibrahim Mahna, 19, one of the photographers, has changed the food articles used in the activities of the skills that he has suffered and war.
“These boxes are not only food. Become signs of the difficult conditions we face today we also want to disagree with the ability to endure,” Mahna said.
Mahna began to use the practical boxes where the moral material failed failed due to war.
From one place of the paintings, a fantasy pictures in the eyes are out, screaming silently. In the back, tents rise in a raw place with palm trees.
Mahna said: “These faces are mine.
Its work usually reflects the tents and pianums, show the problems of Westtina's problems.
“The tents have been all out – a lodging lodging that will not be healed to the sins of nature or their problem,” Mahna said. “Mahana said. Their daily struggle, to ensure that their articles remain available.”
Pointed to the woman of her drawings, her mighty but boring power but it becomes a boring mother on Dile, who has a Palletinia.
“Later, the men and children are firmly waved with wars and poverty. These faces represent individuals who refuse to escape,” Mahna said.
For Mahna, Art contradicts a discovered: “Activity does not take our country. It tries to disappoint us. Packing ID boxes to restore our story.”
Quatia said there is no doubt that Israel's work has been a very tasting of art and culture and culture.
Even Mahna and Al-jewi managed to make the war, photographers could not make due to mental trauma “.
He added: “Many are fondly to support their families and to start security.”
