Canon widely expands its Vloging line with two new models, R50 V without mirror and PowerShot V1 Compact, which are designed to take on the cameras in the VLOGING SONY line. Powershot V1 has an interesting new 1.4-inch sensor, which is much larger than most compact chambers. R50 V, meanwhile, corresponds to functions from Sony's ZV-E10 II But at a significantly lower price.
Powershot V1 Communication Camera
Powershot V1 was already announced And released in Japan, but now he is going to come to North America. Effectively competes with Sony's ZV-1 II The 1-inch sensor is compact, but has a much larger 1.4-inch 22.3-megapixel sensor, which is approximately the same as Micro Four Thirds, but with a horizontal ratio of the parties, better suitable for the video. This larger size, along with a lens of 17-52 mm (3.1x zoom) f/2.8-4.5, should make it an excellent rival in weak light, and also offers a smaller depth of the field.
I only had a Powershot V1 during the day, but it is heavy for a compact chamber of 426 grams (15 ounces) and quite thick. There are not so many manual controls, except for the TOP Mode dial, the rear tuning for tuning for explosion, compensation for the exposure and other functions, a disc for a lens for aperture, a camera/video and an increase in an increase, as well as several buttons. It has a 3-inch, completely articulated rear display of one million, but there is no electronic viewfinder, like ZV-1 II.
It can shoot 4K 30 FPS Supersampled Video using the full sensor width, 4K 60p video with 1.4 times or 1080p at 240 frames per second. The Canon C-LOG3 with a 10-bit grip 4: 2: 2 is also supported to improve the dynamic range and provide easier assessment. Optical, along with digital improved stabilization, is available, and in order to overheat, it comes with a built -in cooling fan, which allows an unlimited shooting time for all permissions.
Like ZV-1 II, Powershot V1 supports several shooting modes aimed at the creators. These include a “close -up demonstration mode”, which is equivalent to “demonstrations of products” Sony, allowing the camera to quickly focus on the object that you hold in front of the camera. The other is the “smooth skin mode” for shooting in beauty style, plus “film” is the mode ”for Vloggers, which stabilize any jump movements such as walking.
PowerShot V1 uses the Canon's Dual Pixel II autofocusing system to detect the subject and tracking the face/eye and includes the “subject tracking” mode, which automatically regulates pruning to focus on the object in the frame. You can use it as a 1080p webcam through the USB-C port, connecting to your smartphone for a direct broadcast. For photography, it is equipped with a physical mechanical shutter and can shoot at an altitude of up to 30 frames per second with an autofocus in an electronic shutter mode. A welcome function is the built-in ND filter (equivalent to three stops of light reduction), which will allow the creators to add more side on sunny days.
Other functions include the support of a small LP-E17 battery and one UHS-II card slot, as well as microphone connectors, headphones and microchdmi. However, the Powershot V1 is not cheap for $ 900. He must arrive in April 2025.
They are R50 5
R50 V is the first real indifferent camera without a mirror, and is clearly designed to oppose Sony ZV-E10 II. It is slightly higher than the Powershot V1, but otherwise it has a large extent the same size and weighs a little larger if you turn on a new power lens of 14-30 mm (21-45 mm equivalent) F/4-6.3.
It has a good array of a manual control element, including the primary control dial on top, Zoom rocker for supported lenses and an unusual dial mode, which allows you to choose several user video and Vloging modes, including the Movie Auto Slow Shutter, slow/quick recording, and the film is the mode. For Vloggers, he has a completely articulation 3-inch display, but again, there is no electronic viewfinder.
R50 V is supplied with a 24-megapixel APS-C sensor EOS R50While also includes the functions from the Canon's Cinema EOS system, such as the Capture C -log3 and 10-bit video 4: 2: 2. It can capture Supersampled 4K 30 FPS video using the full-width of the sensor, 4K 60P video with a culture view or 120 frames 1080p. This is not a bad camera for photographers, allowing them to shoot at 12 frames per second, using the border of the first zapor or 15 frames per second with an electronic shutter, everything with continuous autofocus is turned on.
Like ZV-E10 II, he lacks stabilization in the body, but offers optical stabilization using supported lenses, as well as electronic stabilization. For situations that require an additional decrease in trembling, you can combine the modes of optical and electronic stabilization, and there is an amplification mode for sharp movements, such as walking.
R50 V has modes convenient for VLOGGING, such as a function of the type of product window, as well as Focus Huthing correction. You get the latest Canon's Dual Pixel II autofocus system, which includes the detection of face and eyes, as well as tracking objects for people, animals and vehicles (along with the automatic regime). The highlighted button allows you to instantly carry out a live broadcast with four modes: UVC/UAC, HDMI, Camera Connect and Live Switcher Mobile Muli-Camera. It comes with one UHS-II card and the LP-E17 battery, as well as with the ports of the microphone, headphones, microchdmi and USB-C.
The R50 V will cost $ 650 only for the case or 850 US dollars with the new RF-S14-30 mm F4-6.3 is the STM PZ lens (sold separately for $ 330). Canon also announced the full VCM $ 1700 20 mm f/1.4L VCM lens, the last in its fast hybrid cinema series, which includes the RF24MM F/1.4, RF 35mm f/1.4 and RF 50 mm f/1.4 models. As already mentioned, I only had R50 V and PowerShot V1 cameras for a short time, but soon you can expect a complete review of both models.